Met gratis statieven (zie foto's)

Key Features:

• Coaxial design for accurate frequency delivery
• Advanced Direct Focus Technology for minimized phase issues
• Built-in amplifier for a powerful, self-contained sound system
• User-friendly control interface for easy acoustic adjustments
• Versatile connectivity options for seamless integration with various setups
• Durable construction for long-lasting performance

Experience precision and clarity with the Equator Q12 Studio Monitors, a powerful addition to any recording setup. Designed for professionals and hobbyists alike, these monitors offer a coaxial design, ensuring that every frequency is delivered with pinpoint accuracy. The Equator Q12’s advanced Direct Focus Technology minimizes phase issues, providing an expansive stereo image and depth that accurately represents your mixes.
Equipped with a robust built-in amplifier, these active monitors deliver an impressive range of sound without the need for an external amplifier. The Q12's sleek design fits seamlessly into any studio environment, while the durable construction ensures longevity and reliability. Whether you’re mixing, mastering, or simply enjoying your favorite tracks, the Equator Q12 offers a faithful audio reproduction that brings your music to life.
The Q12s are formidable-looking boxes. To mount these 65-pound speakers safely, you’ll need a reinforced meter bridge or heavy speaker stands. The 17x17x17-inch enclosure comprises a 0.75-inch-thick, 13-ply Baltic birch front panel with a shaped 1-inch high-density fiberboard that minimizes cabinet resonance. Rubber pads on the bottom decouple the cabinet from its resting place, although OmniMount-compatible mounting holes on the bottom offer other mounting options. Dual 3-inch front ports can project a lot of air in the low frequencies. A multifunction display on the front baffle indicates power, communication, volume and limiter status.
The back panel has an IEC AC socket, power switch, XLR and TRS inputs, USB, RS-485 in/thru and a series of DIP switches. The latter identify the individual speaker, which group it is in, and whether or not the Room Correction is enabled. No digital inputs are available.
The speaker configuration comprises a 12-inch Fiberglas-impregnated woofer that’s fast and punchy. It reproduces high frequencies using a coaxial, custom 1.5-inch titanium compression horn driver. The frequency response is rated at 30 to 22k Hz (-3 dB/2π). The low end goes really low; I had no problem feeling the kick drum. Even with an extended bass response (for a small cabinet), I never felt as though it was “hyped” in any manner while listening to all types of music, nor was any port turbulence in evidence—bass instruments were never muddy. The horn sounds smooth all the way out to its rated top end. Cymbals had no nasty upper-harmonic resonance, as was the case in older horn-based coaxial designs.
The two point-source transducers are bi-amplified with the low-frequency RMS power at 500 watts and HF at 200W; double those specs for peak operations. This equates to 117dB SPL with both channels driven. Alongside the electronics’ power amp portion sits a CPU that is designed to match the output transducer’s frequency response with the power amp. This seamless interaction matches the ever-fluctuating electrical characteristics of frequency vs. power vs. impedance. The CPU also handles what Equator calls the “no-slope” crossover point, reducing midrange distortion at and around the crossover point (centered at 1.5 kHz), providing an increase in the midrange SPL.