Landscape, 1901 , Canvas is een gelimiteerde uitgave, Oostenrijkse 3Dgeprinte kunstwerk uit 2020+, verkocht met lijst.

Titel:

After Wassily Kandinsky (1866-1944) - Landscape, 1901 ,

Geschatte waarde:

€800.0

Belangrijk:

Winnende biedingen zijn exclusief 9% koperbescherming + €3





Hi-Rnd print on canvas, framedLimited edition of 150Delivery in around 30 daysTechnique: LITO HI-RND print on paper.Museum certified, Certificate of Authenticity.Alu-Framed.This limited edition print was created in collaboration with the Museum, based on a scan of the original artwork. All our products are custom-made in our factory in Bregenz, Austria, and feature our patented LITO Hi-Rnd technology. Provenance:Georgian National Museum, Tbilisi, GeorgiaAbout LITO:Who we areFounded in 2022, LITO is a forward-thinking printmaking company on a mission to widen access to art through new, pioneering technologies.Based in Bregenz, Austria, LITO and the LITO Technology Lab have developed state-of-the-art and patented technology to create prints with extreme precision and of unparalleled quality. Using its Hi-Rnd proprietary technology, LITO collaborates with leading contemporary artists and prints textures, colours and certain effects on paintings, such as reliefs and brushstrokes at multiple scales, to create and recreate original artworks.LITO Masters aims to support leading museums and institutions around the world by providing a new tool for research and the conservation of masterpieces, whilst allowing art lovers to live with their dream masterpiece.------When Kandinsky painted this landscape at the turn of the twentieth century, he was still a man in search of his artistic destiny. The great breakthrough of abstraction was still a decade away, and for now, Kandinsky was working under the influence of Manet and Neo-Impressionism.Nearly all the works he produced in 1901 were landscapes painted en plein air. The oil paint is laid on so thickly that individual elements, such as the spade-shaped trees, almost stand out in relief.“He used a palette knife rather than a brush to apply bright pigments layer on layer,” wrote Kandinsky’s fellow student, Igor Grabar. “These turned out to be multi-coloured, unresolved studies – and among ourselves we joked about his exercises in purity of colour.”But Kandinsky was feeling his way towards a grand theory of colour in art. This landscape is one of his more beautiful early experiments.


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