Maurice Wyckaert, 1986, brochure PBA/MSK Brussel€ 8,00
Francis Bacon and Nazi Propaganda - Tate Publ. 2012
€ 33,00
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450depuis 11 mai. '24, 13:17
Caractéristiques
ÉtatComme neuf
ThèmePeinture et dessin
Année (orig.)2012
AuteurMartin Hammer
Description
Francis Bacon and Nazi Propaganda -
Tate Publ. 2012
.
interessante studie over het werk van Francis Bacon
inzonderheid over de schilderijen en reeksen waarin hij de Nazi Propaganda aan de kaak stelt
Born in 1909, Francis Bacon's entire early adulthood was penetrated by the tragedy of the Second World War. Unlike many of his contemporaries in Britain, he did not participate in the war or become a war artist. Rather, he is unique amongst his generation of artists as independently choosing Hitler, Nazi Germany and Fascist propaganda to be one of the most influential sources for his practice. In this new scholarly study, Martin Hammer addresses the question of how and why Bacon appropriated the photographs and documentation of Fascist imagery to his own expressive ends, emphasising how it was used technically in his painting as a visual aid, and how, far from being an artist of private spaces and personal anguish, he in fact found inspiration from mass circulated media and the use of it for the promotion of global ideals. Featuring an extensive selection of colour and black-and-white reproductions of both paintings and source material from Bacon's own collected archive, Hammer uses focussed visual engagement with Bacon's work, illuminating the artist's aims to comment and reflect on the wider contemporary world.
224 pagina's, 25 x 20 cm, 1110 gram
in het engels
in heel goede staat, als nieuw
harde gladde kaft
papieren wikkel
200-tal afbeeldingen
k86
afhalen en bezichtigen kan in Kluisbergen
in de galerie Malpertuis
verzending volgens Bpost tarieven
Tate Publ. 2012
.
interessante studie over het werk van Francis Bacon
inzonderheid over de schilderijen en reeksen waarin hij de Nazi Propaganda aan de kaak stelt
Born in 1909, Francis Bacon's entire early adulthood was penetrated by the tragedy of the Second World War. Unlike many of his contemporaries in Britain, he did not participate in the war or become a war artist. Rather, he is unique amongst his generation of artists as independently choosing Hitler, Nazi Germany and Fascist propaganda to be one of the most influential sources for his practice. In this new scholarly study, Martin Hammer addresses the question of how and why Bacon appropriated the photographs and documentation of Fascist imagery to his own expressive ends, emphasising how it was used technically in his painting as a visual aid, and how, far from being an artist of private spaces and personal anguish, he in fact found inspiration from mass circulated media and the use of it for the promotion of global ideals. Featuring an extensive selection of colour and black-and-white reproductions of both paintings and source material from Bacon's own collected archive, Hammer uses focussed visual engagement with Bacon's work, illuminating the artist's aims to comment and reflect on the wider contemporary world.
224 pagina's, 25 x 20 cm, 1110 gram
in het engels
in heel goede staat, als nieuw
harde gladde kaft
papieren wikkel
200-tal afbeeldingen
k86
afhalen en bezichtigen kan in Kluisbergen
in de galerie Malpertuis
verzending volgens Bpost tarieven
Numéro de l'annonce: m2113972347
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